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Me and My Piano

Introducing our new dancers

A Midsummer Story

Act One

Interior

Ballet studio. Midsummer Day.

Class ends, and the company prepare for a rehearsal of Romeo and Juliet. The Artistic Director, Theseus, soon to be married to Hippolyta, his Principal Dancer, has decided it is time for her to bring her career to a close, and to remove her from her role as Juliet. He is encouraged by his Ballet Master, Robin Puck, to select his protégée Demetrius as Romeo to Hermia's Juliet. She wants to dance the role with Lysander as they are in love. Demetrius is also at the moment infatuated with Hermia and has jilted her best friend Helena. To complicate matters further, Nick Bottom, the company carpenter, is in love with Hippolyta. The rehearsal disintegrates and Theseus angrily calls it to a halt and the company disperses to prepare for the overnight train journey to their touring engagement in Edinburgh.

Left alone Hippolyta contemplates life without dance, and though Theseus attempts to persuade her towards her new life as his wife, she breaks from him in distress, leaving him alone in the studio.

Puck retrieves and pockets Hippolyta's discarded pointe shoes from the studio as the shadows darken.

Exterior

Kings Cross Station, evening.

The dancers and crew board the sleeper, en route for Edinburgh.

Interior

The Flying Scotsman

On the train tempers and sleeping arrangements are affected by the day's events. The train enters the tunnel to begin its journey North into Midsummer Night.

Act Two

Interior/Exterior?

Fairyland – Midsummer Night.

As Theseus sleeps, he dreams. His status alters and he is Oberon, King of Fairyland, warring with his Queen, Titania, mirroring the problems of real life. Everyone, including the audience, enters his dream. Initially Oberon is intent on punishing Titania and sends his henchman Puck to find the magical juice that will cause her to fall in love with the next living creature that she sees, preferably a wild animal!

Puck, discovering Nick Bottom in his dream rehearsing as Romeo with the crew, transforms him into a donkey and leads him to the sleeping Fairy Queen. The charm works and Titania takes the delighted donkey to her bower, deleriously in love.

Through the shortest night the young couples' confusions grow as Puck mistakenly places the love juice on Lysander's eyes who falls instantly in love with Helena. Puck and Oberon finally release them all from the spell and the Fairy King and his Queen move beyond anger and manipulation and are lovingly reconciled.

Act Three

Interior and Exterior

The train and Edinburgh Waverley Station – Morning

Arriving at their destination the next morning, the company awake to the new day, sleepily recalling their dreams and leave the train for the theatre in wonder, at their reconciliation and new found happiness.

Interior – The Theatre – Night

The audience enthusiastically applaud the end of Romeo and Juliet, danced by Hermia and Demetrius. The company congratulate them and happily celebrate the engagement of all three couples with a backstage party. As the evening ends, Puck gathers up the remnants of the dream.

Touring to

This production is not currently on tour. Take a look at our national tour listings to see what we're performing and where.

Previously toured to...

Southampton, Mayflower
02380 711811
Milton Keynes Theatre
0844 871 7652
Norwich, Theatre Royal
01603 630 000
Beijing, National Centre for the Performing Arts
+86 10 6655 0000
Guangzhou Opera House
+86 20 3839 2888
Xiamen Banlam Grand Theater
+86 400-880-2281
Nottingham, Theatre Royal
0115 989 5555
Woking, New Victoria Theatre
0844 871 7645
Newcastle, Theatre Royal
08448 11 21 21
Leeds, West Yorkshire Playhouse
0113 213 7700
Canterbury, Marlowe Theatre
01227 787787
Bradford, Alhambra Theatre
01274 432 000
Llandudno, Venue Cymru
01492 872000
Cardiff, New Theatre
029 2087 8889
Manchester, Palace Theatre
0844 871 3019
Norwich, Theatre Royal
01603 630 000
Belfast, Grand Opera House
028 9024 1919
Edinburgh, Festival Theatre
0131 529 6000
Woking, New Victoria Theatre
0844 871 7645
Milton Keynes Theatre
0844 871 7652
Leeds, West Yorkshire Playhouse
0113 213 7700
Woking, New Victoria Theatre
0844 871 7645
Milton Keynes Theatre
0844 871 7652
Sheffield, Lyceum Theatre
0114 249 6000
London, Sadler's Wells
0844 412 4300
Edinburgh, Festival Theatre
0131 529 6000
Canterbury, Marlowe Theatre
01227 787787
Nottingham, Theatre Royal
0115 989 5555
Leeds, West Yorkshire Playhouse
0113 213 7700

This table displays past performances of this production.