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Christopher Giles
Christopher’s previous work includes: Wild Geese (Taiyuan Dance Troupe, Beijing & touring), The Architect (Northern Ballet), No Man’s Land (short film), The Damnation of Faust (Deutsche Oper Berlin), Rags (Guildhall School of Music & Drama), Darling of the Day (Union Theatre London), Babes in Arms (ArtsEd), Enter (Talawa Youth Theatre), Singin’ in the Rain (ArtsEd), Lysistrata (Rose Theatre London), Bells are Ringing (Union Theatre London), Leonce und Lena (Grands Ballets Can
Cleopatra. Photo Jason Tozer.
Northern Ballet’s Cleopatra has thrilled audiences and critics, and gained celebrity fans since its world première in 2011. This stunning ballet charts Cleopatra’s sensational rise to power, her scandalous romances with the most powerful men in history, and her eventual downfall.
Patricia has worked extensively with Northern Ballet, beginning as drama consultant and acting coach on Christopher Gable’s Dracula, continuing with him and Michael Pink on Giselle and The Hunchback of Notre Dame.  She then directed Northern Ballet’s Carmen and A Streetcar Named Desire, both choreographed by Didy Veldman.
John Longstaff
John was born in Lancashire and educated at Girton College, Cambridge and Guildhall School of Music and Drama. He has worked with numerous companies including: Kiel Opera House, Germany (conductor and rehearsal pianist), Northern Ballet (conductor and rehearsal pianist), Sheffield Symphony Orchestra (artistic director), Leeds College of Music (opera conductor), English National Ballet (guest conductor), Young Opera Venture (musical director) and St. Peter’s Church, Harrogate (Director of Music). 
What do Elizabeth Taylor, Kim Catrall, Angelina Jolie, Claude Michel Schonberg and David Nixon OBE have in common? Just the most powerful woman in history: Cleopatra.


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