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Grant Green, Company/ Orchestra Pianist, joined Northern Ballet in 2010. He studied at the RNCM with Sulamita Aronovsky, and began his career in 1992, playing in the Philidor Trio and the Northern Chamber Orchestra. In 1995 he played in the pit of the Royal Opera House under the baton of John Lanchbery (Royal Ballet SchoolPeter and the wolf), and has since worked in dance studios throughout the UK. He is a very active chamber musician and ensemble pianist, and has performed concertos by Mendelssohn, Chopin, Liszt, Ravel, and Gershwin.
Nathan Fifield
A sought-after conductor of ballet repertoire, Nathan has conducted at many top companies including: National Ballet of Canada, San Francisco Ballet, Houston Ballet, and Pacific Northwest Ballet.  He was Music Director of the Tulsa Ballet for five years and is currently the Principal Conductor at Nashville Ballet.  Highlights from this past season include: Romeo & Juliet at Opera de Bordeaux, a new arrangement of Peter Pan for Nashville Ballet, Jiri Killian's Petite Mort featuring Mozart piano concertos which he conducted from the keyboard, and a world premiè
Northern Ballet Sinfonia
Northern Ballet believes that live music enhances performance and is committed to music being played live for almost all productions.
Composer Claude-Michel Schönberg Double CD £20 (P+P £1 per CD)
Geoffrey Allan
Started playing with Northern Ballet in 1993. Leader at Scottish Ballet, New D’Oyly Carte Opera, North of England Chamber Orchestra.
John Pryce-Jones
John joined Northern Ballet in 1992. Born South Wales. Educated Worcester, Corpus Christi College, Cambridge. Studied with George Hurst and Rafael Kubelik.
In a nutshell describe your job and how you got into it. I am the Music Director at Northern Ballet. I started conducting choral groups whilst at school and then developed this and orchestral conducting at University. This led to a career in Opera until 1992 when I joined Northern Ballet


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