Before we can bring a new ballet to the stage, we need the place where our story will unfold: the set. More than a backdrop, the set is the first element that introduces the audience to the world, making the story feel real.
Take a behind-the-scenes look at how our workshop is bringing the mesmerising world of Swan Lake to life.
From Royal Court to Enchanted Lake
The story of Swan Lake takes us between the Royal Court where Prince Siegfried resides and the Lake where Odette lives as a swan. These sets help audiences understand where the story is taking place, which is crucial in ballet as there is no dialogue to explain the location of a scene or an act.
In this new production, the Court and the Lake exist in contrast to one another. The Court is defined by sharp lines, structure and rigidity, reflecting societal expectations and duty. On the other hand, the Lake is home to softer and more natural silhouettes, representing fluidity and freedom. By creating a strong visual contrast between the two, the set helps tell the story without saying a word.
Painting the Scene
Technology has opened up exciting new possibilities for creating scenery with digital projections. However, there is something special about traditionally painted backdrops.
For generations, scenic artists have used painting techniques, like light and perspective, to create the illusion of vast landscapes on stage. Rather than simply displaying an image on a flat surface, paint can be used to create depth, texture, shadows, and other intricate details that transform the stage into an entirely new world.
For Swan Lake, we are taking a more traditional approach with hand-painted backdrops that give the production the perfect atmospheric ambiance while paying homage to the timeless quality of the ballet itself. With every brushstroke, our workshop is helping paint the scene for one of the greatest ballets of all time.
Embracing Innovation
Although we are using traditional backdrops, we are also embracing new technologies for other elements of the scenery.
For example, the set for this new production features 18 candelabras. In the past, this would have meant sourcing identical pieces that were also practical for the demands of a touring ballet. This can be quite a challenge. Thanks to advancement in 3D printing, we are able to create our own set, designed to work exactly as needed. The 3D-printed candelabras are considerably lighter than conventional metal ones, making them easier to move and transport while on tour.
It’s a small example of how modern crafting techniques can solve practical challenges, demonstrating that traditional design and new technology can work hand in hand.
The Illusion of Water
It would not be a production of Swan Lake without the signature Lake. But how do you create the feeling of water without flooding the stage? The answer lies in the art of theatrical illusion.
Another great example of traditional and innovative methods working together to create something spectacular, painted effects blend with projection, haze and lighting to give the impression of water. Combined, these elements create the atmosphere of the Lake, allowing the audience to imagine its magic without ever needing to see a drop of water.
Piece by piece, every element of the set is bringing Swan Lake one step closer to the stage in autumn 2027.
Photos Colleen Mair.
